Timothy Hutchings
Solo Exhibitions
2009 Awash in a Sea of Blood and Ice, The Center of Contemporary Art,
St. Louis, Missouri
2008 Timothy Hutchings, Kunsthalle Wien, Vienna, Austria
The Celestial Spheres, I-20 Gallery, New York, New York
Formal Issues and Not, Sydney College of Art, Sydney, Australia
2007 The World's Largest Wargame Table, I-20 Gallery, New York,New York
Game Theory, Applied and Not, Triton Gallery, Nicosia, Cyprus
Timothy Hutchings, Viennafair, ZONE1, Vienna, Austria
Timothy Hutchings, The Soap Factory, Minneapolis, Minnesota
2006 Object and Non-Object, Karl Drerup Gallery, Plymouth, New Hampshire
The World's Largest Wargame Table, Real Art Ways,
Hartford, Connecticut
2005 Sea Fight! The Map Room, Portland, Maine, with Kyle Durrie
2004 The Captain Hates the Sea, I-20 Gallery, New York, New York
A Lark in the Larkin, Loop ’04, Barcelona, Spain
Timothy Hutchings, Project Room, Bodybuilder & Sportsman Gallery, Chicago, Illinois
2003 Arm in Arm in Arm in Arm, I-20 Gallery, New York, New York
2002 Go West, The Bonsack Gallery, St. Louis, Missouri
2001 The Arsenal at Danzig and Other Views, I-20 Gallery,
New York, New York
2000 Slapstick, Cranbrook Academy of Art, Bloomfield Hills, Michigan
Selected Group Exhibitions
2008 DA2, Contemporary Museum of Art, Salamanca, Spain
locate | navigate - exercises in mapping, Charlotte Street Foundation, Kansas City, Missouri
Trunk Selects, Färgfabriken, Stockholm, Sweden; Rom fur Kunst og Arkitektur, Oslo, Norway;
Sundsvall Kulturmagasin, Sundsvall, Sweden; and Kramfors Cinema, Kramfors, Sweden
Accidental/Coincidental, Newhouse Center for Contemporary Art,
New York, New York
2007 25 Years Later..., Art in General, New York, New York
L.I.C., Socrates Sculpture Park, Queens, New York
For Sale, Espacio Liquido, Gijón, Spain
Urban Spaces, Fresno Metropolitan Museum, Fresno, California
Crash, Pause, Rewind, Missoula Art Museum, Missoula, Montana
Range, D.E.N. Contemporary, Los Angeles, California
Video and Photography from Western Bridge, Washington State University Museum of Art,
Seattle, Washington
Common Ground, Westchester College Fine Arts Gallery, Westchester, New York
A Century of Collage, Elizabeth Leach Gallery, Portand, Oregon
The Big Nothing - Basekamp, Institute of Contemporary Art,
Philadelphia, Pennsylvania
Abrasions, Architecture, and Accident, Southern Illinois University, Carbondale, Illinois and
Studio 27, San Francisco, California
Trunk/The Nordic Video Art Festival, Östersund, Norway
Red Badge of Courage, Newark Arts Council, Newark, New Jersey
curated by Omar Lopez-Chahoud
2006 Summer Selections, Art Omi International Sculpture Park,
Omi, New York
Sagamore Collection Exhibition, Sagamore Hotel, Basel Miami,
Miami, Florida
12th Biennial Print and Drawing Exhibition, National Taiwan Museum of Fine Art, Taichung, Taiwan
VII Salon y Coloquio Internaticional de Arte Digital, Havana, Cuba
Blame it on Rio, White Box, New York, New York
Impure Cinema: Hybrid Works Rupturing Media Boundaries,
Studio 27, San Francisco, California
[20mb], MASSart, Austin, Texas
Small Group Format, Truman State University, Kirksville, Missouri
realpARTy, Real Art Ways, Hartford, Connecticut
I Love Exit Art, Exit Art, New York, New York
2005 Baroques and Neo-Baroques: Hell of the Beautiful,
Centro de Arte de Salamanca, Salamanca, Spain
Art Video Lounge, Videotheque, Art Basel Miami Beach, Miami, Florida
Crash, Pause, Rewind, Western Bridge, Seattle, Washington
Ars Digital 2004: I Click, Therefore I am, Moscow Biennial, Moscow, Russia,curated by Joulia Strauss
Art in the Age of New Technologies, Armenian Center for Contemporary
Experimental Art, Yerevan, Armenia, curated by Eva Khachatrian
The Kids Have ADD, Wizard Electroland, Brooklyn, New York
Curated by Birgit Rathborn
Jianghu 3: An Exhibition of Experimental and Documentary Video Art, Kunming, China
Loop '05, Barcelona, Spain
New Labor; Neutral Capital, Columbia University, New York, New York
2004 Cicle de Video Focus: Desde Los Anos Setenta Hasta El Ano 2002,
Museo de Arte Contemporaneo, Patio Herreriano, Barcelona
Videodrome II, Bates Museum of Art, Lewiston, Maine and
the Santa Barbara Contemporary Arts Forum, Santa Barbara,
California
Supersalon, SamSon Projects, Boston
The Iowa Biennial of Contemporary Miniature Prints, University of Iowa and
the Soros Gallery, Stockholm School of Economics, Riga, Latvia
2003 Collection of the Associazione Artissima, Turin, Italy
Centro Reina Sofia, Madrid, Spain, curated by Elena Volpato
Espacios a la Experimentación, El Museo de Arte y Diseño
Contemporáneo, San José, Costa Rica
VideoEx, Zurich, Switzerland
Solon y Coloquio Internacional de Arte Digital, Havana, Cuba
The Pretendlings, New Langton Arts, San Francisco, California
Dancing in the Dark, Aljira Center for Contemporary Art, Newark, New Jersey
Not Myself, New Langton Arts, San Francisco, California
Warning/Happenings, a conceptual concert by David T. Little
Stretansky Hall, Susquehanna University, Pennsylvania
2002 Videodrome II, New Museum of Contemporary Art, New York, New York
Seeing by Wireless, Hastings Museum and Gallery, Hastings,
United Kingdom
Metropolis Now, Centro Reina Sofia, Madrid, Spain
SUBMERGE, Kunstebunker Forum for Zeitgenossische Kunst, Nurnberg, German,
Curated by Eva Scharrer
Faux Real, Borusan Cultural Center, Istanbul, Turkey
Curated by Elga Wimmer
Cutting Edge, ARCO, Madrid, Spain
For Real, Woodstreet Galleries, Pittsburgh, Pennsylvania
Self-Portraits From the Bill and Ruth True Collection, The Wright Exhibition Space, Portland, Oregon
Ramallah Video Festival, Ramallah, Palestine
Art Forum Berlin 2002, Berlin, Germany
Friends and Relatives, Lombard Fried Gallery, New York, New York
Hash Brown Potatoes, Smack Mellon Gallery, Brooklyn, New York
PLAYGROUND, The Standard Projection: 247, The Standard, Los Angeles, California.
Curated by Yvonne Force and Loren Minda
2001 B Hotel, P.S.1/MoMA Contemporary Art Center, Long Island City,
New York
Ha Ha Hah, Quotidian Gallery, San Francisco, California
la perruque, OfficeSpace Gallery, San Francisco, California
Another Day on Planet Earth, Dechiara Stewart Galley, New York, New York
Berlin Art Fair, I-20, Berlin, Germany
2000 Greater New York, P.S.1 Contemporary Art Center, Long Island City,
New York
Sidelong Glance, Im N iL Gallery, Brooklyn, New York
1999 Persuasion, Lombard-Fried Fine Arts, New York, New York
Keep Fit, Be Happy, Dechiara Stewart Gallery, New York, New York
Parking, May Day Productions, Highbridge Park, New York
Ground Control, Lombard-Freid Fine Art, New York, New York
1998 Some Young New Yorkers, P.S.1 Contemporary Art Center, Long Island City, New York,
curated by Alanna Heiss and Klaus Biesenbach
Dissin’ the Real, Lombard Freid Fine Arts, New York, New York
and Galerie Krinzinger, Vienna, Austria
Ground Control, Lombard Freid Fine Arts, New York, New York
Head Stand, Elga Wimmer Gallery, New York, New York
Selected Video, DNA gallery, Provincetown, Massachusetts
Education
MFA Sculpture 1998 Yale University School of Art
BFA Video Art 1996 Kansas City Art Institute
Residencies
2007 Visiting Artist, University of Illinois - Normal
2005 Lower Manhattan Cultural Swing Space Program
2002 Aljirah Emerge 2002 Program
The Atlantic Center for the Arts, New Smyrna Beach, Florida
With Dennis Oppenheim
2000 Civatella Ranieri residency program, Italy, Sponsored by William Kentridge and
The Atlantic Center for the Arts, New Smyrna Beach, Florida
1996 Skowhegan School of Painting and Sculpture
Selected Bibliography
2007
Bors, Chris, "Timothy Hutchings at Triton Gallery", Arteri, September 2007, 16 - 19, ill.
Boucher, Brian, "Timothy Hutchings", Art in America, pg 209-210, November, 2007, ill.
Fredericksen, Eric, "Crash, Paush, Rewind" catalogue, Missoula Art Museum, 2007, ill.
Hofleitner, Johanna, "Kunst-Konjunktur", Die Press, Vienna, front page,
April 26, 2007, ill.
Neimack, Elisa, "Corporate Culture", The New York Sun, August 14, 2007
O'Brien, John, "Range", ArtScene, January 2007, pg 42, ill.
Schneider, Kerry, The Arts Administrator's Sketchbook, Chicago: Green Lantern Press, pg 28 - 29, 2007, ill.
Simensky, Peter, Neutral Capital, catalogue, 2007
Smetanka, Andy, "Healing Through Violence", Missoula Independent, Sept 20, 2007
"ViennaFair 07", Herausgeber Publishing, catalogue, pg 220, 2007, ill.
Villarreal, Ignacio, "Video and Photography at Western Bridge", artdaily.org, January 23, 2007
2006
Ackerman, Ruthie, "Low-Tech Art in a High-Tech Era", Hartford Courant,
May 22, 2006.
Amidon, Catherine, "Timothy Hutchings; A Player's Game" catalogue, Real Art Ways, 2006
Fitzgerald, Shannon, "Small Group Format" catalogue, Truman State University Art Gallery, 2006.
Hepler, Anna, "Three Collaborations" catalogue, Map Room Gallery, 2006.
Miller, Lauren. "Artists Draw Attention", Truman State University Index,
January 26, 2006
Premnath, Rit "Ruin/Monument", Shifter Magazine, pg 85, 86, 92, October 2006.
2005
Finch, Charlie. “The Museum Comes to Us: Art in 2050,” Artnet.com, February, ‘05
Hackett, Regina, “Western Bridge’s Crash, Pause, Rewind..”, Oct 21, 2005
Macu, Moran. “Loop ’04 Barcelona,” Artnet.com, January 6, 2005
Paige, Ian, “Let’s Fight”, The Portland Phoenix, Oct 21 – 27, 2005
Peters, Sue, "Culture Crash", Seattle Weekly, Dec. 14, 2005
2004
Camper, Fred, “Timothy Hutchings…” Chicago Reader, January 30th, 2004
Chicago Reader, January 16, 2004 (Illus.)
Green, Ian, “Loop, Videophilia”, Art Fairs International, 2004
Levin, Kim. “Voice Choices,” The Village Voice, November 10-16, 2004
Zoltak, Benjamin, “New Work from Don Doe and Timothy Hutchings,” Red Streak, February 12, 2004
2003
Dancing in the Dark, Part I, Aljira Center for Contemporary Art, Newark 2003 (catalogue)
Levin, Kim, “Voice Choices,” the Village Voice, May 14-20, 2003
Sasaki, Mina, Review, Vis a Vision Television, Tokyo, Japan, July 2003
SUBMERGE, Kunstebunker Forum fŸr Zeitgenšssische Kunst, Curated by Eva Scharrer. NŸrnberg, Germany. (catalogue)
Wilson, Michael “Timothy Hutchings,” Artforum 2003
Wimmer, Elga Faux Real (catalogue)
2002
Beccaria, Marcella. “The Arsenal at Danzig and Other Views,” ARCO Magazine (April 2002)
Cotter, Holland. Review. “Hash Brown Potatoes” at Smack Mellon Gallery, Brooklyn, New York Times, July 12, 2002
Hackett, Regina, “Artists Play With Images to Close the Gap Between Life and Art,” Seattle Post-Intelligencer, July 4, 2002
Hoffman, Leslie. “Skewed Perspectives.” Pittsburgh Pulp
Videodrome II, New Museum of Contemporary Art, New York. 2002 (catalogue
Gioni, Massimiliano. “New York Cut Up: Art Fragments from the Big Apple,” Flash Art (January-February 2002): 61-64
Mooney, Chris. “Lost Buildings and Renewed Vision. A Mediation on Destruction in Video, Sculpture and Music,” NY Arts (February 2002): 65; http://www.nyartsmagazine.com
Spalding, David. La Perruqueí at the office/gallery,” Artweek (December 2001 - January 2001): 15-16
Thomas, Mary. “Art Review: Artists make their own reality in digital realism,” Pittsburgh Post-Gazette. http://www.pittsburghpost-gazette.com/ae/20021207thomas1207fnp6.asp
Urban, Regina. “New York im untergrund,” Nurnburger Nachrichten, April 11, 2002 (Germany)
Wimmer, Elga. “Sahte/GerÁek,” Arkitera, October 2002.
2001
Fink, Cortney. “Sneaking Time.” Review of “La perruque (the wig),” at the
office/gallery, San Francisco,” http://www.Stretcher.org
Giuliano, Charles. “The Pulse,” NY Arts (December 2001):
Johnson, Ken. “Art Guide: Timothy Hutchings,” New York Times, November 30, 2001
Levin, Kim. “Voice Choices,” The Village Voice, November 27, 2001
Levin, kim. “Voice Choices: Artists Haunted by History,” The Village Voice,
November 27, 2001
2000
Greater New York, P.S.1/MoMA Contemporary Art Center, (catalogue)
1999
Henry, Max. “At the Galleries: Keep Fit Be Happy,” Flash Art
(October 1999): 57 (Illus.)
“Keep Fit Be Happy,” New York Contemporary Art Report (July 1999) (illu.)
Spalding, David. ‘La Perruque’ at the office/gallery,” Artweek (December, 2001 – January, 2001): 15-16
1998
Rockwell, S. “Headstand,” dArt International (Fall 1998) (illus.)
Adamson, Glenn. “Timothy Hutchings,” NYArts (March 1998): 32 (Illus.)
Adamson, Glenn. Headstand, Elga Wimmer Gallery, 1998 catalogue
Smith, Roberta. “Headstand,” The New Yorker, August 24-31, 1998
Smith, Roberta. Review: “Headstand,” New York Times, August 4, 1998
Aigner, Claudia von. “Gulliver Complex and Mr. Sandman,” Wiener Zeitung,
June 6, 1998 (Vienna, Austria)
Bronner, Oscar. “Von Endorophinen, Salzgurken, und Stromstossen,”
Der Standard, June 5, 1998 (Vienna, Austria)
Hofleitner, Johnna von. “KrinzingerÖDissiní the Real, Die Presse,
June 5, 1998 (Vienna, Austria)
Saustep, K. “Minimalsport mit Erwin Wurm und vieles mehr,” Kurrier,
June 6, 1998 (Vienna, Austria)
Heiss, Alana. “Greater New York,” NYArts (March 1998)
Levin, K. “Headstand Recommended,” Village Voice (March 1998)
Levin, K. “Dissiní the Real Recommended,” Village Voice (March 1998)
“Dissin the Real,” Time Out New York (March 1998) (illus.)
Timothy Hutchings